Sunday, October 2, 2016

Sketchnotes from 'Northern Powerhouse People and You' Conference


Rachel Burnham writes: On Friday 30 September 2016, a conference titled ‘Northern Powerhouse People and You’ took place at Chester Racecourse.  It was jointly organised by CIPD Manchester, CIPD Merseyside & North Cheshire and CIPD Lancashire branches and involved a mix of speaker led sessions and table group discussions.  The whole day was facilitated by Esko Reinikainen (@reinikainen) who got everyone participating and contributing their thoughts & ideas.

Here are the Sketchnotes that I created live on the day mainly for the speaker led sessions.

Professor Sir Cary Cooper talked about the challenges of well-being.

Kevin Horgan, The Contact Company shared their experience of managing people and their particular approach.




Julie Fadden, SLH Group, inspired us with her down-to-earth and direct approach to managing people.





Peter Cheese, CIPD responded to questions and challenges from the floor.



John McGurk, CIPD Scotland shared a few challenges for the Northern Powerhouse at the end of the day.





Rachel Burnham

2/10/16

Burnham L & D Consultancy helps L&D professionals become even more effective.  I am particularly interested in blended learning, the uses of social media for learning, evaluation and anything that improves the impact of learning on performance. 


Sunday, September 25, 2016

Learning to listen effectively to podcasts


Rachel Burnham writes: I have a love/hate relationship with podcasts – actually that is way too strong!  I can see the value of podcasts; I frequently recommend them and build them into programmes I’m designing;  and sometimes I even listen to them myself – but I don’t really find them an effective way of learning personally.   I can listen to comedy podcasts fine and I can certainly listen to jazz based podcasts with great enjoyment and attention, but when it comes to business podcasts all that goes out the window.  I get distracted; I start clock-watching – ‘Are we really only 8 minutes into a 20 minute programme?’; I instantly forget what is being discussed; and if the podcast is good it gets me thinking, I start chasing that thought and then lose my place in the broadcast.  On many occasions I don’t even make it through the whole podcast!
But what is a podcast?

If you haven’t come across the term ‘podcast’ before, it refers to a digital audio-recording and is a bit like a short radio programme, except that they are usually available via the internet.  They can be a one-off programme, but many are produced as part of a regular series and can be subscribed to, so that every time a new one is ‘broadcast’ your phone or tablet or PC receives it.  Just like a radio programme, a podcast can be a single person talking, an interview, a panel discussion or a whole mix of segments.  There is no reason why they can’t involve drama or music too – although these are less frequent components of business podcasts.  Podcasts can be used as part of corporate communications or as a learning resource and are particularly suited to being accessed from mobile devices.  They are relatively cheap and easy to produce and so can be a valuable option for L&D.

 I love to read

But for myself, I prefer to read.  I love to read and have done since I was a child.  Even though I struggled to learn to read, I always loved books.  With books you can have pictures and diagrams.  With books you can read at your own pace, pause at any point to think more about what you’ve read, easily go back and re-read a section or jump forward to a more interesting page.  And you get to hold them and smell them.  I am a proper bookworm and I read to the end of the book. I do love to read!

 The experiment

So, when we started to explore the use and creation of podcasts as an L&D resource, during the ‘E-learning: Beyond the Next Button’ year-long MOOC that I am studying with Curatr this year, I was intrigued and slightly embarrassed about my own lack of enthusiasm for podcasts.  Eventually, during a Twitter Chat (#LTMOOC16) I owned up to my reservations.  As I shared them, I noticed that they sounded very like the sorts of comments, I often hear from people who don’t like reading – they get distracted, they forget what they have read, it doesn’t go in, it seems endless.  In this situation, I have often recommended highlighting key points, adding your own notes linking the material to your own experience or mind-mapping to summarise what you have read. So I decided to take my own advice and try this sort of strategy with podcasts myself.  As I like Sketchnoting, I decide to experiment with sketchnoting whilst listening to some podcasts and see if this made a difference to my experience with podcasts.

So over the last fortnight, I have listened to three different podcasts and created a Sketchnote for each one.   The three podcasts were from different sources and in each case, I sketchnoted as I listened.   The three podcasts were:

‘Communities of Practice and Showing your Work’ a Good Practice podcast 13 September 2016


‘Curating & Sharing Knowledge’ a CIPD ToolClicks podcast featuring Martin Couzins



‘Neuroscience & the Organisation’ a Learning Now Radio podcast featuring Amy Brann 2nd June 2016


By comparison, I have probably only listened to about three podcasts in the past year prior to this fortnight (excluding jazz related podcasts).

 Did it make a difference?

I felt that Sketchnoting made a huge difference to my experience.  In all three cases, I felt that I had a much clearer sense of what the podcast was about – I could picture it.

I actually enjoyed listening to the podcasts and was still attentive at the end of each one – this is a major breakthrough for me.  
When listening to the middle podcast, I was interrupted by family members who came to chat and by a phone call, but because I was Sketchnoting, it was easy to find my place again and pick up the thread by looking at my picture.  In the past, I probably would have used the interruption of the phone call as a reason to give up on the podcast and not complete it.

From previous experience of Sketchnoting, I know that I do refer back to Sketchnotes that I have produced to remind me of key points and that they do work to jog my memory.  It helps that I have them altogether, in a bound notebook and so it is easy to find these notes.  It is interesting that I hardly ever referred back to more traditionally made notes, except when doing a formal course and I have needed to for an assessment or exam.

So, although three podcasts is a small sample, I do feel that Sketchnoting has improved my ability to listen effectively to a podcast and has as a result changed how I feel about podcasts for the better.

If you haven’t listened to any podcasts before why not give it ago.  All three of the podcasts I listened to are part of series and there are many others available for free via ITunes. 

Rachel Burnham

25/9/16



Burnham L & D Consultancy helps L&D professionals become even more effective.  I am particularly interested in blended learning, the uses of social media for learning, evaluation and anything that improves the impact of learning on performance. 






Thursday, September 8, 2016

Developing Ourselves


Here is a Sketchnote that I created to summarise some key points from Learning Live 2016 7 September, organised by the Learning and Performance Institute (LPI).  It focuses on the importance of investing in our own development for L&D professionals.





Rachel Burnham

7/9/16

Burnham L & D Consultancy helps L&D professionals become even more effective.  I am particularly interested in blended learning, the uses of social media for learning, evaluation and anything that improves the impact of learning on performance. 


Thursday, September 1, 2016

The value of asking - my learning from working with people with disabilities




Rachel Burnham writes: A couple of weeks ago the #LDInsight twitterchat explored how we work with people with disabilities on learning.  Many of the participants identified that this was not something that they had experienced very often within their professional careers.   My experience is rather different and looking back I realise that I have fairly regularly worked with colleagues and clients with disabilities.   These have included people with visual and hearing impairments, people with mobility problems and people with dyslexia, which takes many forms.  Actually, the disability comes from the environment, a failure to adapt the learning programme and our attitudes, rather than the condition itself. 

I thought it might be useful to share two key learning points from my experience.  I make no claims to expertise and I am definitely still learning about how to more effectively make learning accessible to all.


My first learning point, came from very early in my time in training – it definitely was training then!   I think it was only about the third or fourth programme that I had been involved in delivering and I’ve never forgotten it. We were working with an external client on a two day programme.   To our surprise one of the participants in the programme was blind and we hadn’t known that until we turned up.  I remember feeling so embarrassed that we hadn’t known in advance and also feeling that we had been dropped in it by the client.   When we reflected afterwards, myself and my co-trainer, realised that actually we had never asked about whether any of the participants had any particular needs.  We had just assumed that they wouldn’t.

So we changed our practice and from then on always asked as part of the commissioning and identification of learning needs. 

I think it is worth building this kind of prompt into our processes and practices – so I ask this when I am talking with stakeholders or I might build it into an application form or discussion with individual learners.   I think this sits alongside asking about dietary requirements and in an ideal world shouldn’t really be any more difficult to ask and answer than that.  I know that not everyone wants to share this information – I think by including it in, we start to build an environment in which it is OK to be open and explicit about our individual needs.   

I know I am influenced in this by my personal experiences of disability – for example since I became diabetic, dietary requirements and specific needs go hand in hand.  As a child measles damaged my hearing, which in turn affected my schooling for a short while, until I was able to have some treatment.  I am comfortable with being open about this – but then I work for myself.  And I know that there are many disabilities that are perceived far more negatively than diabetes.

So my first piece of learning is  to ask the question.



My second piece of learning is that when it comes to making adaptations to enable an individual with a disability to participate in a learning experience, it is always worth speaking with that person and asking for their advice.  Don’t make assumptions or work from generalisations.   Many disabilities impact on people very differently.  In my experience, it is always worth talking to the individual directly - they are an expert on their needs and have usually discovered what works for them best.

I was once tasked with organising an induction/initial training programme for an individual joining one of our regional teams, in an office at some distance from where I was based.  Normally, their manager would have had this responsibility, but they had just moved onto to a new role outside of the organisation themselves.   The challenge was that we had severe budget restrictions at the time, so I had no money to travel in person to the location and this was so long ago that there was no online way of communicating in our organisation (hard to imagine now!) and so I needed to mostly work with her over the phone.  And she was deaf.  So, I contacted her before she formally started and asked her advice.  She was able to suggest the type of modified phone that would best suit her, where to order in from and how to get funding to do this!  I asked her what else would help her induction and she made a number of other practical suggestions including on office layout, as she used lip-reading and so it was important that she could easily see her work colleagues when they were speaking together.  I was so glad I asked her advice!!

So, my second piece of learning is to ask the individual concerned for their advice.   In fact, I find I increasingly ask the question of all the people I work with ‘What can I do to make this learning experience work better for you?’



Most L&D professionals I come into contact with are keen for learning to be accessible for all.  I suspect as a profession that we have not done as much as we could to make this a reality.  Time for a change.



Rachel Burnham

1/9/16



Burnham L & D Consultancy helps L&D professionals become even more effective.  I am particularly interested in blended learning, the uses of social media for learning, evaluation and anything that improves the impact of learning on performance. 




Sunday, August 7, 2016

What happens in our brains when we improvise?


Rachel Burnham writes: Last week I took a week’s holiday to enable me to fully participate in the Manchester Jazz Festival.  As well as getting to hear lots of wonderful music (check out #mjf2016), I also went to a fascinating lecture organised by the Festival, in association with the Manchester Science Festival, about ‘What happens in our brains when we improvise?’  This lecture focused on musical improvising and was given by Dr Graeme Wilson from the University of Edinburgh, who is both a psychologist and a saxophonist.  The session was also supported by improvised music by Adam Fairhall on keyboards and Tom Ward on saxophone and flute.  Here is my sketchnote from the talk:








I found Graeme Wilson’s talk most interesting both from the viewpoint of someone who listens to lots of improvised music and as an L&Der.  It got me thinking a lot about what is going on when we encourage people to ‘improvise’ at work both in their day to day to work and when we are more specifically encouraging innovation. It also got me reflecting on my own practice when facilitating learning – as that very often has elements of improvising within it.

This is one of the very best sessions I have ever participated in that draws upon evidence from neuroscience.  Wilson explained that the session drew from a combination of neuroscience studies, predominantly using fMRI scans, cognitive psychology experiments and also interviews with musicians about their experience of improvising.  One of the things that particularly impressed me about the session was the way Graeme Wilson from the outset was clear about the limitations of these studies.  He reminded us of how impossible it is to actually interview a musician whilst they are playing and improvising – they usually have something in their mouth and are rather occupied!  So interviews are always after the event and an interpretation of what happened. He spoke of the artificiality and limited nature of many of the experiments and gave examples to illustrate.  He mentioned one particular example that involved a study of pianists improvising that required them to play the keyboard upside down and in the dark to enable them to be scanned!  He described the process of interpreting fMRI scans as ‘like watching television with the sound turned off’.  I think it made a significant difference to the way he spoke about the research, that this is both an area in which Graeme Wilson is not only a researcher, but also an active practitioner.   And during the session, we were treated to some of his playing when he and Tom Ward improvised together on their saxophones to explore some of the points discussed.

Here are three key areas from the session:


Improvising is demanding

One of the studies compared musicians playing someone else’s music to when they were improvising and identified that much stronger cognitive control is exerted when improvising.  Improvising effectively requires both mastery, but also the ability to ‘let go’.  One musician described improvising as a ‘mystery’ that required you to ignore mistakes when in the grip of improvising - this also sounds like being in a 'flow state' as Csikszentmihalyi describes.  A study of pianists (the one where they were playing upside down in the scanner) showed in their scans less activity in the brain areas associated with self-monitoring and inhibition.  In my experience you can often see and hear the moment when a group of jazz musicians relax and let go – the quality of the music immediately takes off.  

Graeme Wilson talked about the different degrees of improvisation you get in music, sometimes just sections of a piece of music are improvised such as in solos.  In this situation, musicians often describe themselves a focusing on playing key notes and then using familiar phrases – ‘patterns’ to get from one keynote to another – I relate this to the way we use habits or patterns of behaviours in daily life.  Some music has a much high proportion of improvisation and when there are no conventions to rely on, the cognitive load is huge.



Improvisation is social

Much improvised music is social involving several musicians improvising together.   Some of the studies shared explored the characteristics of this.   ‘Trading fours’, a common musical practice in jazz, where two musicians take it in turns to play in response to each other, has been studied.  This found activation of the brain areas associated with syntax and deactivation of the areas associated with processing meaning.   So improvising socially involves aspects of communication, but perhaps holding back sense-making/judging?

Again, from my own experience the most effective groups of musicians can very often be seen to listening carefully to each other and to be very attentive to each other’s body language. An example of this comes from the group ‘The Impossible Gentlemen’ who played during last week’s festival.   I have to confess to not being very keen on drummers, but Adam Nussbaum, the drummer from ‘The Impossible Gentlemen’ is a wonderful drummer and my observation is that he seems to always listening and paying attention to the other musicians.  I think the most effective listeners make better music together!

In other studies, it has been found that different musicians make sense of what is happening when they improvise together differently.  For example, Graeme Wilson and a colleague interviewed a number of musicians after a collective improvisation in which a number of musicians stopped playing and each person had a different interpretation of that event.



Improvising involves making choices

Wilson explored that when musicians improvise they make choices and this is more complex than some of the simpler models of music creation in other circumstances.   So musicians may choose to:

·       Maintain ie to continue playing as they already are – this is what is done most of the time. 

·       Or initiate change.  This is done less frequently.

Initiating change can be through either:

·       Doing something completely new, which is rarely done.

·       Or responding to what someone else is doing.  There are three options in how you can respond:

o   Adopt – start doing what someone else is doing;

o   Augment – build on what someone else is doing;

o   Contrast – do something different to what others are doing but to support what they are doing.



I found this most interesting and could relate it both what happens in conversations and also when introducing new ideas & practices to the workplace.  I think in L&D, there has been an awful lot of adopting going on when we have lifted wholesale practices from one organisation to another, without fully considering the different context in which we have been operating.  





Some thoughts from me on high performance


Drawing from this has made me wonder whether high performance in the workplace, from individuals and teams, that requires some element of improvisation involves:

·       Mastery;

·       Knowing when & how to ‘let go’ – ie break with convention;

·       Highly effective communication between co-workers, particularly listening;

·       Recognition that different degrees of improvisation may be needed eg sometimes just picking out key notes and using existing patterns of behaviour to move between them and sometimes all out collective improvisation.



I found this a very stimulating and thought-provoking session and I would love to hear your views on it.



Rachel Burnham

7/8/16

Burnham L & D Consultancy helps L&D professionals become even more effective.  I am particularly interested in blended learning, the uses of social media for learning, evaluation and anything that improves the impact of learning on performance. 

Monday, July 11, 2016

Agile Learning - Some Further Reflections


Rachel Burnham writes: At the CIPD ‘Leaders in Learning’ event in Manchester last week, Andy Lancaster invited a group of L&D professionals to consider how we might make our learning design process more agile.  This kind of agility is about being more responsive to the needs of our organisations and the learners we work with, being quicker to develop L&D solutions and perhaps also includes an element of flexibility in what we produce and certainly in the way we produce it.  Here is a link to the Sketchnote I created at the event.

We began by exploring why there is a need for L&D to become more agile in the way we approach learning design.   This is of course related to the pace of change in organisations and in the external environment, which requires organisations to become more agile in order to survive and flourish.   I am sure I don’t need to rehearse again the impact of changes in competition, technology, legislation & regulation, plus the challenges of responding to an uncertain world in the context of global markets, austerity in government policies and Brexit. 

L&D needs to keep pace with this and be able to contribute within our organisations to both to enabling individuals to learn what they need to respond to these changes and also to help individuals and teams become more able to create this organisational agility.   Within L&D, we are often working with fewer resources to meet growing needs.  There are risks if we keep working in traditional ways, with long lead-in times to the design of L&D programmes that we will be too slow to respond to emerging needs within our organisations and/or completely miss out on meeting some needs.  There are risks both to the effectiveness of our organisation and also the credibility and future of L&D in this.



Andy shared with us 10 points to help us to move towards agile learning design.   Here are some further reflections from me on each of these points – I may have paraphrased the wording of some of these 10 points.
1.  Determine business needs as top priority and respond with urgency



This is always important in L&D.  The focus of L&D has to be on improving performance in the organisation and enabling the organisation to better meet its objectives – so I was pleased to see this coming first in this list.

When we discussed how we could overcome challenges about changing our way of working to become more agile, the group I was in identified that focusing on the real ‘pain points in the organisation’ could help to generate sufficient support, particularly from senior managers and other key stakeholders to enable us to try this different approach.   Nick Shackleton-Jones, in a session on learning design at this year’s CIPD L&D Show, talked about identifying ‘what bugs people’ ie what do employees find challenging and gets in the way of them doing their job and then finding ways to address these issues. 



2.  Think big – start small



When trying out a different approach it often helps to try out something on a small scale or using a simpler approach than perhaps you would do normally.   This reduces the risk and can make it possible to get the resources or the ‘go-ahead’ to test out an idea.   I like the idea of running lots of small scale experiments which you learn from rapidly.  This connects to the idea of ‘Working Out Loud’ and testing out ‘half-baked ideas’ publicly –  or at least within your organisation and quickly getting input from other people to refine and add to these ideas. 



Many years ago, I worked for a small organisation that was working out how to do preparatory education on leaving home with young people – a bit like doing health education, but on the subject of housing.   We worked as an action learning project and tried out lots of different approaches to this preparatory education on leaving home and how to get it integrated into youth work and schools.   We were often trying different approaches simultaneously.  As there were only two of us working in the project across the whole of England and Wales –– one of our ‘rules of thumb’ when testing out an idea was to work with people who were already ‘hot to an idea’  ie we would search out volunteers.  Once we had tried out an approach, we would then work with people who were ‘warm’ and who perhaps needed a bit more support, encouragement or even challenging to try something out.



3.  Commit to a speedy development process



This is about our attitudes, but also about making it happen.   It would be worth identifying what causes the particular hold ups in your organisation.  I also think that clearing space in the diary now to be able to start on a new project in this different way would be a good starting point.



4.  Include learners in the heart of the design

I want to ask ‘Aren’t we doing this already?’ and of course we should be, but that doesn’t mean we are.  Often we rely on input from other stakeholders and the voice of learners is overlooked.  If you want to explore this further it is worth looking at Towards Maturity’s work in this area or a recent research report from Good Practice intriguingly called ‘The Secret Learning Life of Managers’.  Both of these pieces of work go far beyond asking learners what they would like and explore how learners learn in practice and what they actually do when they are faced with a challenging task at work.   There is a lot of interest now in developing our understanding of how learners learn effectively and in particular how they use technology to do this – there is the potential to develop this understanding much further through the use of learner analytics. 

But this point, also suggests involving learners in creating their own learning solutions and resources.  And so this also links to point 6 below.



5.  Curation rather than creation

The widespread availability of digital content in many different forms – blogs, video ‘how-to’s, infographics, flowcharts & other diagrams, podcasts (audio files), written guides, sets of FAQs – means that another change in L&D is to curate content rather than needing to create all your own content.   Curation involves searching out relevant materials, selecting the most appropriate, explaining why this has been selected and making this easily available to people who will find it relevant (everything from simply recommending it in an email, through to hosting this selection of resources within a digital platform such as a Learning Management System (LMS) or Virtual Learning Environment (VLE) such as Moodle or Blackboard).

Curating content and only creating content when it is specific to your organisation and not available elsewhere, can contribute to agile design of learning.

If you want to find out more about curation, I would recommend looking at the work of Martin Couzins and he can be found on Twitter @martincouzins.



6.  Create your own low cost content

The wide spread availability of smart phones and access to a range of free or low cost digital tools is making it much easier for L&D professionals to produce all sorts of materials in many different formats.  

This can also be extended to getting learners involved in creating their own content.  This could be through participation in communities of practice, perhaps an online group on the organisation’s Enterprise Social Network (something like Slack or Yammer) or thorough a LinkedIn group or less formal ‘Personal Learning Network’ such as via people connected through Twitter or some other social network.  It could be a colleague creating a useful job aid in the form of a flowchart explaining a process initially produced just for their fellow team members.  It could be a short video clip recorded on a smart phone.  The possibilities are pretty much endless.

Not everything needs to be produced to a Hollywood level of polish and gloss.   Something that is timely and highly relevant to your particular need can have just as much impact. 



7.  Scaffolding social collaborative discussion and learning

This is about using frameworks to provide some support and structure to help people get started in using these approaches for learning at work.  In a way it is an approach to providing a half-way house between a traditional highly-structured approach to a learning programme and a more collaborative approach in which learners have more input and direction of their own learning.   Look out for the work of Julian Stodd if you would like to find out more – he can be found on Twitter @julianstodd.



8.  Don’t be limited by resource availability

One of the potential barriers to agile learning is that we limit ourselves, because we focus on resource limitations, whether that is the availability of rooms, particular trainers or digital resources or finances.  Overcoming the latter was the focus of a session at this year’s CIPD L&D Show ‘Doing More with Less’ with Andrew Jacobs and Stella O’Neill  – here is a link to a Storify of the tweets from this session – look out for session E3.



9.  Learner access any time, anywhere … which includes digital

This is perhaps one of the most challenging areas, as it does require some technical expertise to identify the relevant digital platform for your organisation and situation.   Do take time to think this through.  Take advice.  Think not just about what will work here and now, but what would have some longevity and be sustainable for your organisation.



10.Don’t be a perfectionist – iteratively improve



As an individual this may be one of the most challenging of these tips – I know I always want to have any learning programme I’m associated with to be as good as it possibly can be.  However, that can be at a cost of all the other learning needs that go unmet and the missed opportunities.



As a parent, I have found it valuable to allow myself to not worry about being perfect – I like the concept of the ‘good enough parent’.  I have chosen where to place my priorities as a parent – home cooked food with lots of vegetables and fruit, a bed-time story every night and lots of hugs, but it does mean that the house is dustier than I would ideally like!  In a similar way, we may have to rethink our perfectionism in L&D and decide what can be let go.





These are some of my thoughts on agile learning design.  What does this prompt for you?  What can you being doing differently?





Rachel Burnham

11/7/16

Burnham L & D Consultancy helps L&D professionals become even more effective.  I am particularly interested in blended learning, the uses of social media for learning, evaluation and anything that improves the impact of learning on performance. 

Thursday, July 7, 2016

'Developing Agile Learning' CIPD Leaders in Learning Sketchnote


This was live Sketchnoted at last night’s CIPD Leaders in Learning event in Manchester.  Andy Lancaster and David Hayden facilitated the session and there was much discussion.   I have tried to capture key points from the session faithfully.

 




Rachel Burnham

7/6/16



Burnham L & D Consultancy helps L&D professionals become even more effective.  I am particularly interested in blended learning, the uses of social media for learning, evaluation and anything that improves the impact of learning on performance.